Friday, April 26, 2013
The Very Lonely Gatsby
The Very Lonely Gatsby
This is a project I did with two classmates for The Great Gatsby. I think it turned out wonderful.
This is a project I did with two classmates for The Great Gatsby. I think it turned out wonderful.
Edna Pontellier and Maslow’s Hierarchy of Needs
Before someone can gain comforts in
life, they must first achieve the basic biological requirements to survive.
According to Maslow’s Hierarchy of Needs, the fulfillment of these needs allows
for the development of other needs, then the achievement of desires, and
ultimately the perfection of the human being. In Kate Chopin’s realistic novel The Awakening, Edna Pontellier has only
accomplished the second level of the hierarchy, and she is forever stuck
between the second and the third level of love. Although she has a family, she
lacks the proper emotions that signify a feeling of belonging. There is not
much in her life that prevents her from reaching the third level, but instead
she herself is the one that is at fault. Furthermore, she shows no signs of ever
reaching this level, but instead she continues to stay at the same level with
no motivation to move higher.
On the Use of Negative Representations of Deformities in Literature
Physical deformities have been looked
at as grotesque for a long time. While things such as “freak shows” and
discrimination have ended, there still remain some mentionings of deformities
associated with somethings negative in pop culture. Once in awhile a movie will
come out with a witch suffering from hunchback, or maybe there’ll be the evil
giant, a much more menacing figure than Gulliver to the Lilliputians. One
medium that makes strong use of physical deformities is literature. In
literature, physical deformities are commonly associated with negative things,
such as moral twistedness or periods of darkness. While physical deformities
are used to evoke sympathy at times, the negative representation of them or
their association with the negative is commonly used as its own literary
device, utilized to characterize or to create a setting that’s dark and twisted.
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